Colours are never indiscutable to me

. I consider 26 to be peach, 27 orange/amber, 28 overmature lime. None is actual yellow (as in lemon or Trollius altissimus), but all could be categorized as yellows when thinking in overlapping terms, just as "blue" might overlap violet and teal. The slices of the master palette cuts straight through some cultural definitions, while cutting in-between some other.
Attempt at categorizing:
x1 Cold blue
x2 "Almost pure" Floral Blue* (but really, i think 'pure' is between x1 and x2)
x3 Violets
x4 Purples
x5 0: (Dark) Cerice | 2: Cerice/hot pink**
x6 0: Off-red/wine | 1: the colour of light polution a cloudy night over a city with warm street lights | 2: Peach
x7 0: Brown 1: Mustard Seed | 2: Orange Or all of them: Amber or Citrine
x8 0-1: Olive | 2: Overmature lime
x9 Green lime
xA "Pure" Green
xB 0: Jade/Pine | 1: Cold Green | 2: Mint
xC 0: Navy/Teal (darker) | 1-2: Teal (brighter)
the 4x are simply categorized as bright pastels of the same to me.
*"Blue" flowers tend to be "almost blue", but lean slightly towards the violet upon closer inspection. Few are true blue or indigo; one exception is usually the hard-to-grow "Lingholm" variety of Meconopsis, but even then, some individual plants may develop violet streaks.
**Not named so after tint but after cultural affect. Picture-googling "hot pink" will reveal a variety of pinks, of which most lean towards the cold. It's also interesting to see what items and contexts such a colour is associated with. That goes for any colour.
It's not complete, perfect or universal. Different TV sets will shift the tint aswell. Just an attempt to formalize categorizations i half-consciously work with when pushing pixels.